Recent plays: Up The Feeder, Down the Mouth (BOV 1997 + 2001) The Redcliffe Hermit (Head, Heart + 2 Fingers, 2005) Chess (Pro-Cathedral, 2007) Doctor Love (Molière-based musical, Tobacco Factory, 2008)
Adam is an Actor, Writer and Puppeteer. Adept at devising and writing theatre for children and adults. Working regularly with Pickled Image, Idiot Child, Stuff & Nonsense, Soap Soup and Full Beam. Adam has also worked as a puppeteer with Aardman and a performer for BBC Radio 4.
I am a drama school trained professional actor, writer and director. I have my own production company that has produced 2 of my theatre plays - Call Me & Post Box, co produced a 3rd - Tommy's Wait, and recently produced a radio comedy serial The Adventures of Heronimous Verdi - broadcast July/August 2008. I can be contacted directly or through my agent Williamson & Holmes - 0…
5'6", hair that changes from project to project, slim(ish) build, propensity for laughing at things that shouldn't be funny, tries to write, likes directing and performing in dark/interesting/fun/twisted/silly plays and has a willingness to try anything once!!
Alice Maria Sparey is a quarter Italian, trained actress and classically trained singer from Bristol. After achieving her degree in Musical Theatre at Bristol Academy of Performing Arts she has performed in many venues across the UK.
I am a professional writer with several years' experience in commercial communications. I am flexing my creative muscles with various projects from children's books to small scale theatre.
Anna Harpin is a director and writer. She is the co-artistic director of Idiot Child and also works independently as a theatre director. She is also an academic at the University of Exeter specialising in contemporary performance. Her recent credits as a writer and director with Idiot Child include You're not doing it right (Tobacco Factory), Isle of Shame (Tobacco Factory), and I c…
Writer in Residence at the Canal Cafe Theatre, London. I'm interested in writing honest and irreverent drama that is compassionate and socially aware. Above all, I think compelling storytelling lies at the heart of great drama and I work hard to craft work that is engaging, that says something sincere and that takes the audience somewhere.