Presented by Ear Trumpet Folk Club
The brilliant Scottish/German singer-songwriter and acoustic fingerstyle guitarist performing traditional songs and ballads from Scotland and beyond.
Ear Trumpet Folk Club: Regular intimate, sit-down gigs with some of the greatest musicians from around the globe.
Alasdair Roberts is a Scottish musician, born in Germany, who was raised near Callander and has been based in Glasgow since 1995. He is primarily a songwriter/composer, singer and acoustic fingerstyle guitarist as well as an interpreter/arranger of traditional songs and ballads from Scotland and beyond.
Since 1997 Alasdair has produced several full-length albums of music (initially under the name Appendix Out and later under his own name), primarily working with Drag City Records of Chicago. His most recent Drag City album is Pangs, a collection of ten original songs recorded with bassist Stevie Jones (Arab Strap, Sound of Yell) and drummer Alex Neilson (Trembling Bells, Alex Rex)– it was released to critical acclaim and a successful UK tour in February 2017.
Over the years, Alasdair has collaborated with a wide variety of fellow musicians (such as Will Oldham, Jason Molina, Josephine Foster, Mairi Morrison and Karine Polwart) as well as with other artists including poet Robin Robertson, puppeteer Shane Connolly of Sokobauno Puppet Theatre and film-maker Luke Fowler. In 2013 Alasdair became a member of the Scottish/English folk group The Furrow Collective, along with Lucy Farrell, Rachel Newton and Emily Portman. The Furrow Collective has released two albums on Hudson Records, the most recent being Wild Hog in late 2016; the quartet won the accolade of Best Group in the 2017 BBC Radio Two Folk Awards.
Alasdair Roberts is one of a rare breed of musicians whose work has found favour with aficionados of both experimental/avant-garde music and traditional/folk music – as such, he has been the cover star of both Wire Magazine (March 2010) and fRoots Magazine (October 2003 and January/February 2017).
“Though it’s all new, the weirdness of ancient folk is ever-present; he’s a true original.”
★★★★ The Observer
“Quietly escalating towards Scottish national treasure status.”