Bronia Housman

Bronia is a designer who has worked on productions which range from opera, theatre and dance to stadium pop shows.

Bronia trained in Set and Costume design on the Motley Theatre Design Course and at Kent University.

Design includes: Table The Kitchen Sink (Stoke New Vic Theatre) The Little Match Girl (The Last Baguette), Remarkable Invisible (Theatre by the Lake), Rubenstein Kiss & Amy’s View (Nottingham Playhouse), Strange Blooms (Shobana Jeyasingh Dance) Imago (Glyndebourne) The Rodin Project (Sadlers Wells and touring), A Real Humane Person Who Cares and All That (Arcola Theatre), Sports et Divertessements/ Babar (la Carrière de Normandoux) Precious Bane, Sexual Neuroses of Our Parents, Shoot, Get Treasure, Repeat, Don Juan Comes Back From The War, The Laramie Project and Loveplay (Arts Educational School) The Execution of Damiens and Three short plays from Africa(Momentum Festival, Nottingham), The Promise (New Wimbledon Studio), Cosi Fan Tutte (Classical Opera Company), After Miss Julie(Nottingham Playhouse), For One Night Only (Pleasance Theatre, London), Henhouse (Arcola Theatre).

Bronia has been Es Devlin’s Associate Since 2004, recent work includes: Faith Healer (Donmar Warehouse) The Nether (Royal Court & West End) Don Giovanni (ROH) Les Troyens (ROH) The Master and Margarita (Complicite) London Olympic Closing Ceremony (London Olympic Stadium) Parsifal (DNO),Take That; Progress (Stadium Tour) Lucrezia Borgia (ENO) Pieces of Vincent (Arcola Theatre) Die Tote Stadt(Finnish National Opera) Faust (Dresden SemperOper) Blaze (Touring) Knight Crew (Glyndebourne), Take That; The Circus (UK Stadium Tour), I Puritani (De Nederlandse Opera & Greek National Opera) Pet Shop Boys; Pandemonium (World Tour), Salome (ROH), La Clemenza di Tito (El Liceo Barcelona), Don Giovanni and Flammen (Theater an der Wien).